YOU GET WHAT YOU PAY FOR!!!

 

 

 

Okay so we all know it's tough out here to survive for the musicians that haven't had "ANY" music or product placements. The question is what are you going to do about it? Sit there and continue to cry about it, or be the one needle in the haystack that actually makes a difference.What many people have to realize is that everyone wants something for FREE, and yes that means even YOU. Either a music placement, product placement, or millions of fans to buy your music.

Many of you just want someone to walk up and give you a bag of money and then walk away. But. It's not that simple. You have to realize that if opportunity comes-a-knockin' and you are unprepared, then your going to be spending time trying to get ready, when you should of opened the door.Meaning if there are some placement websites out there or music placement consultants that require you to pay up front for their service, then I say, you should check them out and if all seems reliable and trustworthy, then go ahead and pay them what they asks. I mean what's "a fee' compared to how much money "YOU'' are going to recieve for your music or product placements? Once you get one placement, then your name will pretty much be "out there". I'm sure that same "fee'' of probably 100 bucks or less is cheaper and quicker than going to school for music. At the same time you want to be careful about gettinig ripped off and not give any ole' chum your money. So how do you make sure you are getting the best efficient "UP TO DATE" knowledge from a music placement consultant? Here's how. Ask them to list their services and have them tell you what services they provide.Because you have to be careful,not to run into someone who "USE TO GET" music placements and now they are just making you pay them for the "tips'' and tricks they used to get those placements. Every recipe is not good for everybody.What worked for them, May not work for you.

Also ask them can they get you up to date music placement listings from Million dollar companies that are looking for music on a daily basis? Do they have "ANY" information on video game placement listings? what about placements and indie film opportunities? Or, Can they offer a way to get you JOB placement assistance in the entertainment industry? (and no I do not mean interns, because interns are just modern slaves) Ask them if they could get a job as a production assistant, or licensing coordinator, or music editor, music writer, or tour planner. That way if you are a musician, then you'd have the chance to plug yourself up being that you'd work more closer to open opportunities. Imagine if you were "writing about" yourself as the new Brand new hip trendsetting musician coming out. How easy would that be? And you'd have a source of income.

 If you do not do your research into these music placement consultants , or people who "claim to get you placements" then your just asking to be scammed.After all this is your money, so make sure the person on the other end actually deserves it, especially if it's going to help out your career. Here is a glimpse of just "some" of the things I offer-----------> http://placements-r-us.blogspot.com/2012/08/thousands-of-music-placement.html  <---------- Come to think of it, I'll probably be doing an update to these sort of listings every friday. I'll just have to be reminded though because i have so much going on at the time. Email me at placements-r-us@hotmail.com Or Music.placements.r.us@gmail.com However it seems as if my phone works PERFECTLY with the hotmail account.

Goal Setting Points & tips That Actually Work

Setting personal, professional and other types of goals probably goes all the way back to the days of the caveman. However, most everyone I speak with about their goals either doesn’t have any or have set ones that are so hard to reach, they’re almost destined to fail.

What’s really great about setting goals is that if the right amount of effort goes into accomplishing whatever you set out for, it usually gets completed. The problem for most is actually setting goals, deciding what types of goals to set and then following through with the actual work that it takes to accomplish those goals.

Goals should always be 100% obtainable, but should also require an increased work effort to complete along with your normal day to day responsibilities.When thinking about goals, the rule of thumb is to make small, easy to manage goals. Usually goals should take no longer then 1 week to complete, but in most cases they can be completed that same day.

Setting small goals is one of the best ways to jump into goal setting. It allows you to set and accomplish goals on a regular basis and therefor builds your confidence for future goals that might require a lot more effort and time to complete.

Lets say that getting a record deal is at the top of your list of goals. First you should realize that getting signed to a label is a huge goal that can take years to complete in some cases. So with the small goal thought of mind in place, you should try and think of areas of your career that you can improve on that will make it more likely to gain the attention of record labels.

Once you have those areas laid out to the best of your ability, it’s then time to set small incremental goals within each of those areas. Lets say one of the areas is your live show attendance. If you’re playing out once a week, you would want to set a goal to increase the number of people that show up to support you, week after week. But be careful, if you had 20 people show up to your first show, setting a goal of 40 people for next weeks show might be setting the bar to high to soon. Your goals should reflect the amount of effort and work you’re willing to put in to accomplish what you set out for.

The greatest thing about setting up small, easy to manage goals is you’ll be completely surprised on how fast they’ll benefit your career in a really positive way. Or you could just do this------------------------->http://placements-r-us.blogspot.com/2012/08/thousands-of-music-placement.html

 A Professional Music Team is a Pre-Requisite to Success

So you’ve recorded a cd, played some pretty big shows, and are making some noise in your local scene…now what? Do you know how to take your career to the next level? After a certain point, bands need to start looking at putting together a team to help them get further in the industry. This is where the Artist Professional Team comes in. This is your elite team of industry insiders that are diligently working to get your music and your band out to the public…or at least that’s what they should be doing. It’s important to know the role of each member of your professional team so that you can hire the best person for the job.

Personal Manager

Probably the most important person working for your band, the personal manager is essentially the quarterback of your band. They’re responsible for coordinating all efforts between the band and your record label, radio promoter, publicist, publisher, booking agent, and business manager and all other music contacts. Your personal manager should be the first member of your team that you choose, and can then help you assemble the rest of your team. The manager will also usually make some business decisions for the band, assist in the creative process, as well as working with your record label. Personal Managers usually take about 15-20% of a band’s gross income.

Business Manager

You may not be able to afford a business manager at first, but the more money you start making, the more likely it is that you’re going to need a business manager. The business manager usually collects royalty checks for the artists, takes care of their bills, and makes sure to properly handle all taxes and investments on behalf of the artist. Business managers are usually CPAs and can either take 5% of the artist’s gross income, or work for an hourly rate or flat fee.

Attorney

Probably the most powerful member of your music contacts will be your attorney. The attorney deals on your behalf with all the major power brokers you encounter during the course of your career. Your attorney should be heavily involved in negotiations whenever you sign contracts with publishers, labels, managers, and agent. Many of the most prominent entertainment attorneys are based in New York and Los Angeles, but others have been spreading to cities such as Nashville, Atlanta, Chicago, and Philadelphia. Attorneys can either take 5% of any deals they negotiate, or can work for an hourly rate or flat fee.

Booking Agent

Having the right booking agent can make the difference between playing a good show and playing a great show. Agents are responsible for scheduling live performances for artists for either individual dates, or regional and national tours. You want to find a talented agent that has established relationships with many of the big name venues all throughout the country. Booking agents can sometimes be the most difficult member of your team to secure because you often need to convince them that you are worth their time and effort. Agents usually take 10% of the artist gross for live performances, not including merchandise.

Publicist

The publicist’s job is to obtain media coverage for clients in print, tv, and electronic media. Their responsibilities usually include securing media coverage, mailing/emailing press kits to music writers, communicating with the manager/agent/record label, and hiring hair and makeup teams for tv and magazine shoots. Publicists can get paid anywhere from $1500-$5000 per month and usually begin work several months before major releases and announcements.

Okay. Now take a look at the paragraphs above. What is missing? We've mentioned a publicist, a booking agent,an attorney, business manager,and even a personal manager, right? An honestly in "MOST" cases these so called "business managers" are doing what exactly? Sitting their collecting "YOUR" Royalty checks, and paying your bills? would you really trust someone to do this for you when their is tons of money involved? I mean, we do see celebrities suing the pants off of their accountants, managers,and business managers all the time right? okay then. So if i were you, I'd rather just pay some sort of reasonable fee so that someone can fill me in on what to do and HOW to do it properly.

For Example----------> http://placements-r-us.blogspot.com/2012/08/thousands-of-music-placement.html

An A&R's Thinking pattern.... 

 

 

 

Everyone these days is an artist. I’m pretty sure my mailman has an album coming out. Technology has saturated the market to a point of redundancy and monotony. This, fueled by a singles-driven market causes record labels to become weary of investing in unknown acts (understandably so). Any artist should have; hit songs, consistent shows lined up, a great following, independently moved units, radio play and/or impressive YouTube numbers.

It’s true, labels are looking for music in the style of artists who have hit it big already. The key is to dance along the line of familiarity and originality. Be a couple steps ahead of radio, but within a comfortable distance. If you are too left field, it would be hard to digest by labels and possibly even fans. If you are too similar to what’s hot now, you’ll miss the boat by the time your music gets big.

Make sure you have the ultimate product, before you invest ridiculous amounts of time and money into promoting it. Although the following has been stated repeatedly, sometimes repetition is key to truly understanding your goals. Practice your craft everyday, play gigs as often as possible and find legitimate sources of constructive feedback. As an artist, you must also realize that that it takes financial investment to develop a brand. PR, radio campaigns, web developers for your site, service companies, CD replication, copyright, professional photos, graphic design and so much more. If you are genuinely prepared to make your music a career, investing into your brand is key.

All that being said, it’s all about great art, a story and a movement. Truly, it’s a constant battle of balancing the time of perfecting your craft and developing your brand. Once you find this middle ground and you persistently create a movement with hit songs, you’ll find your way. Pursuing A&R’s through their assistants or interns, attacking blogs consistently with your music, creating interesting viral videos and finally developing an enthusiastic following will propel you towards where you need to be. If you want an extreme Leg up on the competition

click HERE-------> http://placements-r-us.blogspot.com/2012/08/thousands-of-music-placement.html

THOUSANDS of Music Placement Opportunites now at "YOUR" fingertips!!!!!

Okay .Let's look at the numbers game here for a second, shall we?!?!. How many musicians, music producers,and artists are out there today trying their best to get there bills paid from simply making music?

TONSSSSS RIGHT?!?!? Right. But there is a huge problem. That problem is,......there are only a few people that either have the connects, relationships, or the information to get their original music "REPEATEDLY" placed into tv, film, video games, commercials, and movies. Well for 100 dollars,... THAT ALL CHANGES. NOW! Like Right NOW!

I am willing to sit down with you in a 2 to 3 hour FACE TO FACE music licensing tutorial meeting and show you how and where to submit your music for placements into tv,film,video game soundtracks, movie soundtracks,commercials,private companies that pay thousands of dollars for certain songs, and get this ...... I can even show you when where and how to get literally ON THE PHONE with HUGE companies desiring original music for their own purposes paying big bucks for "YOUR" compositions. No matter if your a band, solo artists, music producer, agent, manager, or whatever the case. ALL GENRES can apply. I am talking about at least 1200 opportunities to submit your music to Companies like Lionsgate, Kelloggs,MTV the real world, Coca Cola, Sony,The History Channel,GMC trucks,Verizon,VeVo,Cartoon Network,and T.O.N.S. more. Stop waiting and procrastinating. I'm sure your not making music to sit your cd on some shelf to collect dust. I will also teach you how to use your music to get PAID from facebook, itunes, youtube, soundcloud,amazon,reverbnation,and your own website if you have one.

If you are new to the music scene then click these links to educate yourself properly.

An intro to royalties---------> http://www.youtube.com/watch?v=CrAToJXh3RE&feature=related

Online Music Marketing---------> http://www.youtube.com/watch?v=Ll3j_5VbNlY&feature=related

How to make NUMBER ONE hit records------>  http://www.youtube.com/watch?v=h2fEmwpteFE&feature=related 

Songwriters who work with limited means ----------> http://www.youtube.com/watch?v=7VbGKKrnfOk&feature=related



I will also teach you about Performing Rights organizations and how to copyright, protect, and PUBLISH your OWN MUSIC.Because if your music is not copywritten with the library of congress then their is no way you are going to make BIG MONEY in this world of music.

 So.It's time to pay your bills , your rent , and buy groceries all from your music. Your music just might give you a job that you never even thought existed. I suggest that you bring a notebook to take notes, a tape recorder, or some way to capture as much information as you can. There are certain music websites that list their opportunities for their members to submit music on a "DAILY" basis.

Here are some examples below.....

Publishing Company Looking For Music To Be Considered For Licensing Opportunities

Jul 23, 2012

Category:	Publishing - Libraries
Type:	Publishing
Genres:	HipHop, Pop, R&B, Rock
Promoter:
Details:	A notable U.S. based music publishing company is looking for fresh and original music to be pitched for licensing opportunities in TV, Film and Advertising. Sumserious Music is working hard to make an impact in the music industry by providing help to underground artists who are serious about making a name for themselves. They work to equip artists with opportunities that highlight their potential as an independent artist. Please make sure music submitted is mixed and mastered.
Deadline	September 13, 2012 Global Music Licensing Company Considering New Music Jul 30, 2012 Category: Publishing - Libraries Type: Licensing Genres: All Genres Accepted Promoter: Details: Global music licensing company, is currently looking for new music to add to its winning catalog. ___________is a specialized online music licensing agent that provides pre-cleared music for commercial use in Websites, Film, Radio, TV, Documentaries, SlideShows, Presentations, Games, DVDs, Mobile Devices, Public Space diffusions, Video Art, Art Installations, WebEpisodes and much more.  ___________has administered commercial music licenses for hundreds of clients including major brands such as 20th Century Fox, Ralph Lauren, Toyota, Dodge, Lufthansa, Puma, Samsung and Chevrolet. ____________is a global music licensing company focusing on helping film production houses, advertising agencies, gaming companies and large store chains to find and license top indie artists. Deadline August 30, 2012 Oh but that's not all. I also know where at least 100 entertainment jobs open up at least per week, where these certain portions of the entertainment industry are get this............ "actually HIRING for Long time WORK" .Take a look below,

Music Licensing Assistant
Employer: (Private Company)
Location: Los Angeles,CA
Job ID: 82403

Job Description:

Supporting licensing area which will include sending out check requests, checks, licenses and cue sheets to various accounting offices as well as to outside vendors, updating master contact lists and centralizing mailings from all areas of the department.

Interface with outside 3rd party vendors and intra/inter/department on following-up on documentation to ensure prompt, complete and accurate music licensing.

Scanning, uploading, filing and organizing all licenses into our music library of shows binders.

Special projects as may be assigned - including creating reports, coordinating with other areas in the music dept to keep/update our reports.


Coordinator Music and Talent
Employer: Nickelodeon
Location: Santa Monica,CA
Job ID: 74788

Job Description:The Coordinator of Music and Talent is involved in the daily coordination of all iCarly, Victorious, Big Time Rush, Fresh Beat Band (touring), and How To Rock talent and music needs. Coordinates logistics for all talent requests including but not limited to: promo shoots, talent appearances, photo shoots, sweepstakes, PSA's, records, and events.

RESPONSIBILITIES:
Coordinate and cover shoots, appearances and any other network related business.
Coordinate travel and daily Music & Talent administration.
Partner with the Managers of Music and Talent on the day-to-day management of our music talent including iCarly, Victorious, Big Time Rush, How to Rock and Fresh Beat Band (touring).
Develop relationships with Nick Talent, their guardians and management.
Coordinate all calendars and shoot logistics for talent and music dept.
Coordinate and cover shoots, recordings, performances, appearances and any other network related business for the Nickelodeon Music & Talent.
Works with the Managers of Music & Talent to ensure accurate billing and payments. Partner with Managers of Music & Talent in the daily coordination of all iCarly, Victorious, Big Time Rush, Fresh Beat Band (touring), and How To Rock talent and music needs.
Maintain all calendars for assigned talent.
Assist in tracking and researching talent including daily google alerts, blogs, social networking, and internet news on all our talent.
Maintain work permit renewal dates. Send out renewal reminders to all Nick Talent as well as keep current copies of their permits on file.
Build and maintain relationships with Nickelodeon Talent representatives as well as outside agents, managers and publicists.
Coordinate all talent travel.
Attend showcases, workshops and other shows to scout talent.
Maintain Nick Talent birthday list and sending out birthday gifts.
Administrate show/contract books and online talent files.
Assist the Managers of Music and Talent in researching competitive data.
Help compile Department Updates for Weekly Music & Talent Newsletter.


In case you want to see an update PART 2 of this list go here http://placements-r-us.blogspot.com/2012/08/part-2-thousands-of-music-placement.html


So while your sitting their hoping and wishing you somehow make it big,your "UNKNOWN" opportunities are being taken away by people who know what I know and their being greedy harboring money for themselves and not willing to share the information with other musicians to get them music placements. On top of all of that, I'll let you in on a youtube surprise that allows independant musicians to get a few thousand dollars just from uploading their videos. By the way after our meeting is done I will be making and accepting video testimonials "FROM YOU" with your name and links to your web info and posting them. So.It's time to kill your frustration,and rebuild your confidence in your music. Your not getting any younger and neither is your music. I should be charging waaaaaay more than 100.oo dollars to meet with, consult with you and literally place this astonishing information in your hands. So act now, before I bump up the prices.

P.S. If you are interested in press ,tv,radio,magazine,or International EXPOSURE or coverage for your music than I can teach you about the different options and ways to reach *62,000 Newspapers,*25,000 Television Hosts, Reporters,Management assignment editors,*45,000 Magazines, *50,000 radio stations,*10,000 online bloggers, (more upon request)*3500 cable stations, *5300 News Agency Wire Services
*65,000 additional anchors, hosts, editors,music managers,press contacts and soooooooo much more.


P.P.S **I do not want to be anyone's Manager, nor agent, so please be professional and DO NOT ASK me to be or do anything else from what I am offering.**

THANK YOU.

Contact: placements-r-us@hotmail.com  OR  music.placements.r.us@gmail.com